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Inspiro India Official

Blog | Interviews | Photography

2 November 2017

Interview with Photographer: Tabeenah Anjum Qureshi

Dr. Tabeenah, a senior journalist, is presently the Bureau Head of Deccan Herald in Rajasthan apart from being a vivid photographer. Born and brought up in the valley of Kashmir, Qureshi pursued her master’s and Ph.D. in Jaipur, Rajasthan, which she now calls her second home.
She chased her passion for photography diligently and went on to win the National Award in Photography conferred by Ministry of Information and Broadcasting, Govt of India. Dr. Tabeenah Anjum Qureshi is the first woman photographer from Rajasthan and Kashmir to bag the imminent award.
Camera for her is a co-traveller as she ventures out to click some of the most stupendous photographs. Her usual style follows the monochrome school of thought. Her work on Kashmir Floods was displayed in APPRA international conference in Kathmandu, in 2015. After completion of her doctorate degree, she was venerated with the prestigious UNICEF Media fellowship under which she researched on ‘Impact of Swachh Bharat Campaign in Tribal areas of Rajasthan’.

Tabeenah Anjum Qureshi

 

Inspiro India: Tell us something about yourself and how did you start creating?

– I call it the experiences of ‘a mountain girl wandering in the desert’. I won’t call it matter of chance but I owe a lot to Jaipur, my current residential city for pursuing the hidden passion of Photography. In the second year of my course, 2009, I participated in a three-week photojournalism workshop and that’s how the journey started. That time I did not have a camera to use, so I captured the photographs with the borrowed camera of my teacher Prof, Sanjeev Bhanawat, Head Centre for Mass Communication. It was my first exploration of Jaipur city with a camera. I started seeing new things. I would stop and observe. Looking through the viewfinder was an entirely different experience. When I returned to Kashmir in summer vacations, after seeing some prints of the photographs from the workshop that were later displayed in the exhibition, my parents gifted me a canon digital camera. I would roam around the city, into unknown lanes, revisit places, with my cotraveller. It was like revisiting my birthplace. So all through my vacations I would keep a camera in my bag and photograph everything. Then there was no stopping it. The camera became an ornament for me. I would wear it around my neck and feel proud.

 

Inspiro India: Did you face any kind of problems while pursuing this field? How satisfied do you feel after working in this field?

– Since photography is not just my profession but a fulfilling hobby and passion. It is a form of expression for me. I teach photography and photojournalism in colleges, university, and schools. It is always good to strike a conversation with new entrants, it feels as if one is revisiting her beginning days.

 

 

Inspiro India: Can you talk about your photo documentaries and ways of working?

– My style is both Documentary and Photojournalistic. Since I am a journalist and end up working on news stories, so gradually it has taken a form in the style of my photography. I love to capture people, subjects from the street, issues and of course, there are traces of abstract photography too in most of my work. For first three years I would capture everything randomly but with time I realized that there should be a body of work.
One major difference between Rajasthan and Kashmir is that the desert is more colourful. In the last 7 years I have travelled to most places in Rajasthan and being a woman photojournalist has helped me in terms of getting lovely portraits of women who otherwise get conscious in the presence of men.
I love black and white photographs. I believe they make our subjects more powerful. But sometimes colours too are important.

 

Inspiro India: How would you describe your photography style?

– Mine is a freestyle photography work. I love to capture emotions, geometry and off course every photograph has a story behind it. Autumn is my favourite month and I have captured it the most, especially crimson chinars in Kashmir. Besides this, I love to capture the bond between generations, women through veils, and practices of faith through photographs.

 

Inspiro India: If not this, What would have Tabeenah been doing? What did you aspire to be as a child?

– Well, I think that even in an imaginary world I would be doing exactly what I am doing right now! I say this because recently a friend of mine in Kashmir shared a page of a slam book with me. It mentions that when I had filled that, I was in class 7th. Interestingly, There is a question which says 1. What do you want to become in your life? And my answer which I had completely forgotten was ‘ Journalist, Teacher or a Doctor’. I am blessed that I am all three.
Recently I’ve earned a doctorate degree as well. My thesis was on Social Media. My inspiration to be a teacher came from my mother, the aim to become a doctor comes after seeing my grandfather who was a doctor treating patients, and I wanted to be a journalist because my hometown was always a center of attraction.

 

Inspiro India: Describe your post-processing workflow? What camera/s do you shoot with? And your favourite lenses and other equipment that you use?

– To be honest, I don’t do much post-processing. The only bit of contrast and conversion into Black and white. I stick to the basic principles of editing that was allowed in darkroom editing. I use canon 600D, and two lenses 40 mm and 18-135 mm. I bought it in 2013 and have not changed my kit since then. I believe more than the gadget one needs to learn and adapt the art of seeing. Gadgets are important and compositions are important as well. Also, I believe that a creative mentor is important to polish your skills, and for that, I am thankful to my friend and mentor Mr. Himanshu Vyas for being there.

 

Inspiro India: You are the recipient of prestigious 4th National Award in Photography (Amateur category), Conferred by I &B Ministry, Govt of India. Do you believe Awards and recognitions make any difference?

– Yes, that way I have been lucky enough. To some extent, they do make a difference. I believe that one should participate in as many competitions as he/she can. This way your photographic work gets reviewed as well. Otherwise, they just remain confined to our laptops and hard drives.

 

Inspiro India: Your favourite series and story behind it?

– One of my favourite series is on Kashmir flood – ‘Resilience- Kashmir Floods’. A photo story of 24 photographs which were displayed at APPRA international conference in Kathmandu in 2015. I have captured them in the autumn of 2014 when Jhelum breached its banks and swamped not only the golden Chinar leaves that were still falling in Kashmir but just about everything. People, cows, houses, trees…all were swept away by the river, flooded with incessant rains. The strong wooden pillars of Kashmiri homes that were inundated, weakened and worn off.
The photo exhibition was a depiction of life just after floods in a resilient valley. The strength and grace with which the people of Kashmir faced their fate are palpable. Photos show quiet and calm on hurt faces just as there was warm coming together of families and extended relatives. There was a struggle of migration but there’s also peace and surrender manifest at the doors of the shrines.
A year after the valley took one of its worst disasters in its stride; the social, economic and political impact of the floods are now woven into its fabric with some permanence. With a greater degree of permanence, autumn’s ripe in the valley again. As the golden Chinar leaves glide through nippy October air, lotus blooms are smugly afloat, canoes are ferrying & nadru, across and people are patiently rebuilding their lives amidst many rounds of Kahwa. Jhelum is flowing in its familiar rhythm.

 

Inspiro India: You are a journalist and working with a national newspaper, how does your passion help you in your career?

– Well, nowadays, it’s important for a journalist to have knowledge of all fields. It gives me an extra mileage as I can capture photographs from the story I am doing in my newspaper. It is always good if you know both the arts.

 

Inspiro India: Out of all the photographs you have ever taken, which is your favourite and why?

– There are many. Most of them are from the month of Autumn and by the sides of river Jhelum, in Srinagar, one of my favourite and only places to hang out in Kashmir. One photograph has the reflection of houseboats and chinars floating over the river. Then there is one of my initial photographs, a chinar in midair. Also, a frame with chinar on the mouth of Verinag, the source of river Jhelum.

 

 

favourite photograph

Resilience – Kashmir Floods – Photo Series by ©Dr. Tabeenah Anjum Qureshi

 

Inspiro India: What advice would the artist inside you like to pass on to our readers?

– There is just one advice, keep clicking and ‘practice patience’. Don’t just treat your subjects merely as elements in your pictures. Try to be friendly with them. Also, I believe that Photography is an art, a photo might take seconds to form but a real good photograph takes sense and a mind of the photographer. Discuss your photographs, with your fellow photographers, friends, and parents. Discuss.

 

Check out his full feature in May’17 Edition of Inspiro India Magazine issue#38 – Download Free.

 

 

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Inspiro India Official

Art | Blog | Interviews

19 October 2017

Interview with Illustrator: Harshvardhan Kadam

Meet Harshvardhan, a Mural Artist and illustrator. 

Harshvardhan Kadam

 

Inspiro India: How did you get started? What first got you into Illustrations? Tell us a bit about yourself.

– Curiosity was what really got me digging a step further in what seemed familiar. My parents illustrated many volumes of books for Indian comic book industry. I grew up looking at the art of making comics and wanted to make mine. But could never draw as good as my parents did. Also, I was not limited by the term illustration per say because I never started off as one.

 

Inspiro India: How would you best describe your style of illustration? Any challenges you’ve faced as an artist?

– My style of visual arts is a rather unconventional evolution of even I don’t know what. It is a process and is always evolving. You can see the roots are based on Indian aesthetics which I have a very keen interest in. I am building a visual language which has become a new beginning of the chapter of Indian aesthetics. As many of our traditional artistic practices are vanishing I find it essential to retain certain aspects of this subcontinent’s diversities within my capacities. In my attempt to evolve this further I have kept all of my personal preferences away from my practice to produce a volume of work where through stories the people keep getting inspired. Challenges are many but the intent is pure so much gets resolved within the process.

 

 

Inspiro India: What are the tools you couldn’t live without? Can you explain your work process?

– An ink brush and paper is all I really need but I have way more that I need for finished work pieces.
My work process is really simple most of the time. I start on simple paper, usually copy paper, with a pencil. Once I finish the sketch, I ink it with an ink brush or a regular paintbrush and ink. Then I scan it and colour it in digitally! Voila! That simple!
Of course, there are times when I throw in photographs and textures, which involves a few more steps but the above is my usual process.

 

Inspiro India: Is studying illustration in college worth the cost or do you recommend an alternative?

– My process is a merger of the latest digital tools available for visual art. My iPad Pro and the Pencil, a loaded MacBook Pro, my sketchbooks, a stationary kit, backpack, sunglasses, brushes, rollers and my music.

 

Inspiro India: Is studying illustration in college worth the cost or do you recommend an alternative?

– No school in India teaches illustration dedicatedly. And study after all is a personal preference. In India the general idea of studying is competition. Where studies should be time spent to enrich our lives with knowledge and empower self to be a better human along with formal education, a personal discipline makes a lot of difference.

 

Inspiro India: Who/What has been the biggest influence on your way of thinking?

– My mother

 

Inspiro India: What did you want to become as a child?

– An architect haha! Also a farmer because I just loved to see a seed become a plant.

 

Inspiro India: What do you enjoy most about being a Mural Artist?

– There is not a lot to enjoy while making a mural. The process is exhausting and tiring but in this whole process, I get to talk to people from the region I paint and to listen to them is what I love. Hear their stories and a bit about their life is a good window to listen to someone out even if it is not related to work. That is very beautiful. It makes me realize that so many people want to talk but do not have ears to listen to.

 

Inspiro India: What according to you is the future of Street Art and Artists in India?

– Most artists who practice making murals in public spaces in India are the leaders and game changers in the current art or design scene of India. We are the ones who took that step to change how the world around us look a few years ago and are making groundbreaking work already. India is a tricky canvas at the same time and hoping to see more cities coloured and more love everywhere in India.

 

Inspiro India: What are you passionate about besides your work?

– I am a rider and very much an outdoor person. I love forests and mountains and rivers and seas and I am more passionate about them than my work I guess. To be with them I have to work. So my love is bipolar haha!

.

 

Photo by Naman Saraiya

Photo by Ranjith P.M

Wall Art by ©Harshvardhan Kadam

 

Inspiro India: What advice would you as an artist give to other creative heads out there? And Some creative tips you’d like to share?

– The only advice my father gave me was to draw. He never taught me anything. He said, draw and you will know. Just like reading,  you will know.

Many tell me that they want to be like me. To be honest I did not have a reference point to look up to in artistic graphs. Even today, my biggest inspiration to push myself further is at Khajuraho, Ajanta Ellora, and are mostly anonymous. I see honesty there. Sublime honesty. So draw honestly 🙂

 

Check out his full feature in January’17 Edition of Inspiro India Magazine issue#34 – Download Free.

 

 

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Blog | Interviews | Photography

12 October 2017

Interview with Photographer : Rema Chaudhary

Meet the woman who quit stock market to pursue photography full time.

Rema Chaudhary

 

Inspiro India: Tell us something about yourself and how did you start creating?

– Well, I worked with my father in the stock market for 2 years before I decided I wanted to pursue photography. I’d always carry my point and shoot camera around when I was in college, taking pictures of the most ordinary things. So I bought a DSLR and started shooting portraits of my dad’s employees and taking pictures on my commute to work every day. I got good feedback from family and friends and decided this is what I wanted to do. At some point in 2010, I got my first commercial job which was a real eye opener because that’s when I realised that this is not easy! Then I went on to study it in Massachusetts at Hallmark institute of Photography and I think that’s where it all really started for me.

 

Inspiro India: Can you talk a bit about your mesmerising portraits and your way of working?

– I spend a lot of time location hunting. I think nothing inspires me more than being outside surrounded by nature. I have endless notes on my phone with pictures of things and their location, whether it’s a random tree or a strange door or a pretty staircase. I keep revisiting my notes and try to figure out what I would like to shoot there. It’s probably the most important part of the entire process for me, and also the most private. Unlike all the other aspects, I’m very used to doing this alone. Apart from that, a lot of it evolves as we go along. I try and evoke a sort of harmony between the environment and my subject, whether it’s with their gesture or expression.

 

 

Inspiro India: Did you face any problems while pursuing this field? How satisfied do you feel after working in this field?

– Yes of course, what is any profession without problems anyways. It was rough in the beginning. The work you get to do more often than not depends on your network rather than your actual work, which is sad. Another thing is when people will commission you to create something that has already been done have absolutely no vision of their own. I find that incredibly nerve-racking. But it’s starting to change slowly.

 

Inspiro India: How would you describe your photography style?

– Aaaah that’s a tough one. But I guess you could say intimate and at times, melancholic almost. Something that is more about the feeling than it is about the content.

 

Inspiro India: Which genre of photography interests you the most? and why? What are your top three favourite photography locations?

– I do enjoy shooting people. Whether it’s portraits or a fashion sort of setting. I think Fashion photography allows me to explore the kind of photography I like which is moody and has a narrative. No top locations but I do love shooting outdoors.

 

Inspiro India: Your portfolio includes quite a lot of portraiture. Walk us through your process of creating a great portrait?

– I’ve realised that for portraits, less is more. I try staying away from directing my subject too much because it can get confusing and they often lose themselves. I will just give them a very basic brief of what I’m looking for and then kind of let them get comfortable or even uncomfortable for that matter in that environment. I’m very disconnected from my subject during portrait sessions and I think a lot of the great shots, for me, happen in the awkward silences.

 

Inspiro India: Could you tell our readers how to reach such excellent results in fashion photography? What gear are you looking forward to purchasing next?

– I do think that more than the gear you use, you have to have the eye for it, and you will make some amazing images if you do. It’s really not about the most expensive camera and lenses. But either way, I use the Canon 5D mark III and just invested in the Sony a7R II last week, so I’m still getting used to the switch.

 

Inspiro India: Describe your post-processing workflow? Which camera do you shoot with? Tell us about your favourite lens and equipment.

– Well, it starts with taking everything into Lightroom. Shortlisting photos probably takes the most time. I go through 2-3 rounds of shortlists, the first time I look at the images and then come back to it a few days later to see if I feel differently about any of them. Once I know which ones I’m going to work on, I start colour correcting and making other adjustments after which I take it to photoshop to refine them further if need be.
My favourite lens has to be the 85mm. I shoot everything I can with that lens.

 

Inspiro India: What did you want to become as a child? Any dream which is still on your bucket list?

– I honestly don’t even have a memory of what I wanted to be as a child. I always thought I’m going to grow up and start working with my father because that’s just how things happened in my house. But currently, my dream is to learn how to play the piano.

 

Inspiro India:If not this, What would Rema be doing?

-I would be a musician.

 

Inspiro India: Which is your favourite photograph you’ve taken till date and why?

– Hard to pick a favourite really, there are so many! But I think one of my all time favourites would be this image I shot last year for Roha. I would explain why I like it but that would just be me generating my own propaganda. I’d rather have the viewer project their own narrative onto the picture.

 

 

favourite photograph

Photos by ©Rema Chaudhary

 

Inspiro India: What advice would the artist inside you like to pass on to our readers?

– I would tell them to go out and keep shooting. Don’t just look at pictures. Study them, and keep trying to get better. Don’t worry about who will or will not like it, you simply can not please everyone.

 

Check out his full feature in February’17 Edition of Inspiro India Magazine issue#35 – Download Free.

 

 

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Blog | Interviews | Photography

25 May 2017

Interview with Photographer: Vijendra Trighatia

Meet Vijendra Trighatia, who worked with State Bank of India for 32 years. But always used to find excuses to break his daily routine, while travelling he fell in love with photography.

 

Vijendra Trighatia

 

Inspiro India: Tell us something about yourself and how did you get started creating?

– I have been working for SBI for the last 32 years. Not the one for dull routines, I have always been finding excuses to break them. Initially, it was traveling and writing but six years back, I took to photography. Creativity is not something that can generally be learnt. You either have the knack or you don’t. One may learn the technical aspects of a craft but to be creative in it is something intrinsic.

 

Inspiro India: How did you develop interest in this field?

– For me Photography is not just about creating images for memories but it is all about feelings. Even inanimate objects ought to be captured to convey a thought. My intention is to develop a people centric collection of images and capture moments which linger on for a while. Traveling and meeting people has always been a passion for me. With a camera in hand, it was only natural that I strived for getting better in the field.

 

Inspiro India: Did you face any kind of problems while pursuing this field? How satisfied do you feel after working in this field?

– Yes, of course, but then they were the kinds that any beginner would face. Online tutorials and experienced photographer friends came to my rescue. One has to show sufficient interest and honesty of purpose in pursuing a passion and its only then that people would oblige you with their inputs. I never tried to hide my inadequacies and always was and still am a humble student wiling to learn from anyone.

 

Inspiro India: What is it about Travel photography that interest you the most? What are your top three favourite photography locations? and Why?

– Any kind of travel broadens your horizons and enriches you with the culture, sights, sounds and flavors of different places. Photography is a means of reaching out to those people you meet on your journey and share their joys and sorrows. I have been lucky to make friends throughout India whom perhaps I would have never met had it not been for the camera in my hand. It’s a special bond tied with eventful memories.

 

 

Inspiro India: What is typically in your camera bag while travelling?

– Well, I usually carry two cameras and three lenses. A wide angle, a mid range and a telephoto lens along with spare batteries, chargers and a tripod.

 

Inspiro India: If not this, What would have Vijendra Trighatia been doing?

– I really can’t imagine myself as anyone else but if I did have a wish I would asked for this
bug to bite me thirty years earlier. Having said that I still see myself going strong for another twenty.

 

 

Inspiro India: Describe your post-processing work flow And the equipment that you use?

– I am not much of an expert in post processing and do only some nominal color and contrast adjustments for which I use the Lightroom. I am still trying to find my feet with Photoshop and hope to gain some knowledge someday.

 

Inspiro India: Could you tell our readers how to reach such excellent results in Travel photography? What are you looking forward to purchase next?

– It is said that if you are hard working and patient with nature, it too shall bestow it’s benevolence towards you. It’s important to identify the correct vantage points from where you propose to shoot and the time when you are going to do it. The source and the direction of light is equally important for an impacting image. For clicking shots of people, always be humble and non intrusive. A smile generally does the trick but ideally befriend the people before you shoot their pictures. Monuments, in isolation, are just stones bound together but put a human element in your image and monument assumes a different character. Hence, once again, wait for the opportunity for a human element to enter your frame.

 

©Vijendra Trighatia

 

Inspiro India: What advice would the artist inside you like to pass on to our readers?

– In view of my limited experience, I barely consider myself to be eligible for dispensing advice but I guess it’s important to realize that to strive for excellence one should always be willing to learn. The day one starts believing that one can’t be taught any more will be the day when the downward spiraling starts.

 

Check out his full feature in March’16 Edition of Inspiro India Magazine issue#26 – Download Free.

 

 

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Art | Blog | Interviews

18 May 2017

Interview with Artist: Smriti Choudhary

 

 

Smriti Choudhary

 

Inspiro India: How did you get started? What first got you into Illustration? Tell us a bit about yourself.

– I have loved to draw since I was a little child. My mother is from Fine Arts background and my childhood home in Rajasthan was adorned by gorgeous oil paintings that she had made before she got married. She has always been there to support and guide me. After I finished school, I joined National Institute of Design, Ahmedabad and graduated as a Graphic Designer in 2005. Soon after I started my independent design studio – Pinksoda and pursued a career in Brand & Design consultancy. After years of living in big cities and working on computers, I started craving to draw again and to reconnect with nature. This finally led to me launching Airphish in 2013 and since then I haven’t stopped drawing and I don’t think I ever will.

 

Inspiro India: How would you best describe your style of illustration? And the challenges you faced as an artist/illustrator?

– My illustration style is a mix of naturalism and surrealism. My illustrations have a dreamlike quality and are always inspired by nature and wildlife. When I started, my artworks were not so detailed. As I progressed, every artwork became a challenge. Specially with techniques like stippling one needs a lot of patience and having to sit at one place for hours is definitely one of the biggest challenge.

 

Song of the Whale

 

Inspiro India: What are the tools you couldn’t live without? Can you please explain about your work process?

– I can’t live without micron pens. I use them for all my artworks. There is no set process that I follow. Sometimes I look at a subject and draw, sometimes it’s part of my imagination, and sometimes it starts with a narrative; I just go with the flow. Ideas can come from anywhere. Once I finalise on what I want to draw, I first sketch it out with pencil and then I start my inking process. Depending on the size of the artwork and detailing, it could take anywhere from a week to a month’s time to finish one piece.

 

Inspiro India: Is studying illustration in college worth the cost or do you recommend an alternative?

– I have seen many brilliant artists who have never had any professional training but can still draw far better than any artist from a reputed art/design college. I think discipline is more important. You need to keep practicing, sketching, observing and exploring. Practice does make one perfect. This doesn’t mean that art/design colleges are not worth it. I went to a design college myself and I did learn a lot. But every person is different and needs to decide what’s best for them.

 

Under The Stars

Early morning

Summer

 

Inspiro India: Can you explain a little about Detailing in your illustrations?

– I use fine pigment pens to illustrate and techniques like stippling and hatching to capture details of a subject. All my illustrations are black and white and i play around with the contrast to create depth in my artworks.

 

Inspiro India: What did you want to become as a child?

– I wanted to become an artist or a dancer. I loved arts. I concentrated more on co curricular activities in school than studies. All my friends came to me when they wanted a diagram for their science practical. In fact, my science teacher liked me only because I would draw diagrams for the whole class on the blackboard.

 

Spring

Starry Hair

 

Inspiro India: What do you enjoy most about being a illustrator/designer?

– The best part of being an illustrator is that I get to do what I enjoy the most in this world – DRAW! I can translate my thoughts and feelings to visuals and share with the world. Also, it’s extremely satisfying to create something that other people can connect with on an emotional level.

 

Inspiro India: What are you passionate about besides your work?

– I love music. I always have my headphones on when I draw. I have done a lot of design work for musicians and music events in past only because of my love for music. I also love to travel and watch movies.

Water Dance

Winter

Autumn

©Smriti Choudhary

 

Inspiro India: What advice would you as an artist give to other creative heads out there? And Some creative tips you’d like to share?

– When you have a creative block, take a break. Go to a peaceful place for a vacation, talk to people who are not artists and give yourself plenty of time to daydream.

 

 

Check out her full feature in March’16 Edition of Inspiro India Magazine issue#26 – Download Free.

 

 

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Blog | Interviews

29 March 2016

Interview with Avinash Jai Singh : Daaku Jai Singh of Illustrated World

Image00001

 

Inspiro India: Art/Illustration- How did you decide it was your calling ?

– I don’t think, you decide your calling. It’s the calling that chooses you. It’s the small little effort one puts in everyday for years. I have been painting, since i was a little kid and that too, was my in my initial years, it was my dad’s persistence to make me sketch every day. And I became better at visual literacy than anything else.

 

Inspiro India: How would you best describe your style of illustration? And the challenges you faced as an artist/illustrator ?

– I swear by Symbolism and Metaphors, it gives me an interesting layer to play around with and it’s always exciting to discover what lies beneath. This pop surreal world has enchanted me. People usually describe my art as, Unapologetic, unabashed, clean, bold and minimal. I just try to keep it organic. To me, they just come and merge into their surroundings and keep evolving into new ones. Unpredictable, because they surprise you or shock you but would never go un-notice. Light hearted and play-full art, I don’t design to offend anyone, but taking a cranky bit on mythological stories, history lessons and ever one around from everyday life is quite fun. I mean, there are no different challenges as such, because it’s really a journey, discovering your style, discovering your look, finding the right story to say. It all matters, and sometimes, doesn’t. You can’t force an art to be done. It takes its own time, to develop in our own conscious – subconscious mind. And you can’t do anything about it, until it’s ready. But sometimes, it gets tough, when you have to meet a certain deadline, for commercial project, then it can get tricky, sometimes.

 

Image00002 Night Sky, now, in your favourite colour

Inspiro India: Why do you love illustration? Can you please explain about your work process particularly ’30 Days of summer’ series?

– Illustrations are one of those mediums, where i can work independently, unlike photography or direction, where i need to have a team in place which in itself is an exhausting job. I mean, sometimes, emotions or thoughts or ideas, are so strong that i want to put it on paper there and then, I am trying to put some ideas in photography as well but that requires planning and team management. It can’t just happen, instantly. I have to wait it out for stylist, set designers, models to come together. But in illustration, it’s just you and that one blank piece of paper. One of my self-initiated project, was to sketch every day and about the strongest emotion i felt in last 24 hours which turned out to become, 30 Days of Summer, with that one emotion, i used to thread a story around it. I have tried defining a certain style and using a certain palette to express the mood, one helluva ride that one month was.

 

Image00003 Him – Can I take a nap in your ocean of thoughts?
Her – only if you’re not scared of the storm. ~ A
Image00004 I stare at the broken man in the mirror, with a hollow, laugh of despair

Inspiro India: How satisfied are you with the artist you are right now?

– Hahaha, initially I thought, i would feel more settled in head once this series is done, but damn, as soon as i finished this. I got more hungry for ideas. And now i don’t think there’s a thing called satisfaction, in art. More you create, you’ll realize, how little you actually know. So it’s quite a crazy scene. But as an artist, my work has a certain visual language now, a defined style, which easily stands out. So, yeah, that way i am doing pretty well.

 

Image00005 Soulmates are fraud, they come around just to fuel themselves, when broken.
Image00006 Not from just another dysfunctional Indian family. Summer of 1989.
Image00007 Our Explicit dreams and weird thoughts, Priceless!
Image00008 The jar of space, for every relationship.

Inspiro India: What advice would you as an artist give to other creative heads out there? And Some creative tips you’d like to share?

– If you feel it, just say it. One needs to feel it, to say it. Be sensitive towards things around you, world u live in. observe and absorb. And what you do every day, makes you, who you are Not what you do occasionally.

 

Image00009 Popsicle after all.
Image00010©Avinash Jai Singh

Inspiro India: What do you think about Inspiro India Magazine?

– You guys have been quite a pleasant platform for creative guys. The stories you publish motivates a lot of people like us. who don’t have a real job (as per our parents) 🙂 it’s the magic of creating, which is above anything else. God Bless.

                                               #30DAYSOFSUMMER
By

Inspiro India Official

Blog | Interviews

29 March 2016

Interview with Astronomy Guru : Rishabh Jain

 

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Inspiro India: Tell us something about yourself and How you create Amazing Night Sky Shots?
– In the corner of my room is the thinking chair. What intrigues me the most the chair wouldn’t have been there if a star hadn’t exploded and created the elements needed to form it. Not a Bollywood or a Hollywood star, but a real one. Everything that we see around us is made of stardust. Millions of years of cosmic evolution and the mysterious ways of nature formed Stars, galaxies, planets, comets and asteroids. These stars are so far away that light takes several years to reach us. So one looks at things the way they were several years ago. Twinkle Twinkle little star. Now I know what you are! Mystery solved, but what next? We live on a tiny dot we call home ( a.k.a Earth )in this vast cosmic ocean and we don’t even know if there are more intelligent civilizations in the Universe. The mystery grows on you and the answers need to be found. These answers are not for one person to find or know. Fortunately, the youth of India is energetic and the children have more questions that ever. They are our real treasures and for them sky is the beginning. I am working on two Projects (philanthropic) currently with my friends o Astronomy Guru – A free online portal for people interested in learning Astronomy o Starlight – A free service for people who have never looked through a telescope Both are in their early stages but have started picking up as the interest of people grows. My other interests include Writing, Playing the guitar, Street Theatre, Batman a degree in computer applications and a search for crazy minds to join the madness. Astrophotography connects me to nature and travel keeps him humble. This keeps the engine running on my Duke 200 and the pedals kicking on my KHS. To capture the beauty of the night sky, I travel away from the city as far as I can with my camera and tripod. My knowledge of the sky helps a lot in planning my shoots. I generally have to wake up whole nights and face near freezing temperatures for long durations to get these photos. Several times I have to hike and trek to get to a desired point.

 

Inspiro India: How did you develop in this field? Did you face any kind of problems while pursuing this field?

– I am a self taught photographer. The basic camera handling was taught to me by Mr. Pankaj Sharma, my mentor. Since then, I have met a lot of people and have exchanged notes on technique and discipline and have added it to my workflow. Constant exposure to clear night sky, Discovery, Nat Geo and the internet kept me hooked. My parents have been the most supportive and have helped me in creating opportunities which helped me go further. There have a few hurdles but it doesn’t really bother me now. I am now working towards making astronomy more accessible to people through telescope watches and astrophotography workshops on a regular basis. There is lack of education in India and a change is needed. When you do it free, 95% of the challenges disappear and the rest 5% are mental blocks. Funds are a constant trouble because I do it for free but that’s how it is now ( I put this under the 5% category ). I learn by teaching people and answering their questions. I get to meet and work with the best people. Everything else follows. The authorities can be a little interfering at times, but I guess they are just doing their job. ” What are you doing here in the middle of the night. Pack up your stuff and move. ”

 

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Inspiro India: What does photography mean to you? And what Inspires you ?

– Photography for me is expression and showing my creativity. I travel to new places and old places and meet new people, experience different cultures. I find new meanings to things and every time I am back home, something changes for good. My real inspiration is the wonders nature has created for us to enjoy. There are subtle clues for us to find and puzzles for us to solve. Life is like a playground. I am highly satisfied working as a photographer. There is nothing better than picking up your camera and going out early morning to create your own art. Pure bliss!

 

Inspiro India: We can see your photographs are mostly of Sky, why have you chosen to present them in this form?

– My folks are avid travellers and since I was a child I was part of their pilgrimages and tours across India. The more I would see, the more I would question things. The sky and everything else was better. More birds, animals and more STARS. By now the bug had docked deep into my conscience and had dropped anchor and the summer of 1995 changed everything for me. Forever. On a clear moonless night in Rishikesh, I was lying down on a KHAT ( a traditional Indian bedstead ). I looked up and saw a fuzzy cloud running across the sky. The breeze was constant all the others did but this cloud won’t move. I had never seen this before. Fortunately, I was in the company of photographers, our fellow companions on the trip. ” You are looking at the galaxy you live in and it’s called the milkyway. See it is as white as the milk “. A good deal of my questions were answered and from that day onwards Photographers = Cool, Mountains = Home, No electricity = Stars,Travel = Knowledge. Pretty soon, my parents and teachers were running out of answers and my fascination and curiosity was gripping me and others around me. Desperate, my parents around me, they took me to the planetarium and I saw my first sky theatre show and decided that this needs further attention. Later I joined the astronomy club which gave my passion further discipline and a computer degree and a job later I joined the organization which ran it in my school. It was also here that I decided I will teach astronomy and will maintain it as a lifestyle. 25,000 students and 6 years later, I quit my job to spread my passion on a larger scale. Astronomy connects me to the Universe. I continue being a disciple of Nature. Night sky photography keeps me close to everything I have learned till now. The beauty of the night sky is unparalled.

 

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Inspiro India: What kind of Camera Gear and Equipments do you use when shoot when working in field?

– I generally carry a Camera, a tripod and some wide-angle lenses. Occasionally, I use a sky tracker to take long exposure shots without creating trails. I also keep a telescope handy for close up shots of the Moon and visual observations of planets and deep sky objects. A laptop and some extra batteries make things convenient.

 

Inspiro India: What did you want to become as a child? What dream is still on your bucket list?

– It would be really cool to fly a hybrid plane to the Moon.

 

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Inspiro India: What inspires your photography?

– Nature is full of surprises and that keeps me interested in doing what I do. As a child, I would spend hours in the field and use to climb trees to get a closer look at bird’s nests ( Fell a couple of times during my adventures ). I would also look up in the sky and see the Moon and used to wonder why does one see it during the daytime also. It changes shape and size as time progresses and this bug bit me hard as the moon will rise at exactly the same time on Karva Chauth, year after year ( well a couple of minutes here and there )The stars fascinated me even more and on nights when there used to be power outages, we would go on the building terrace and see the stars and I would wonder till how far I can see. What will see if I see if go close to the stars, I had so many questions.The more I travel, the more I learn, my questions get answered.

 

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Inspiro India: If not this, What would have Rishabh Jain been doing ?

– I would have definitely become a forest officer.

Inspiro India: What advice would the artist inside you like to pass on to our readers?

– Practice. The art will follow.

 

Image00013©Rishabh Jain

Inspiro India: What do you think about Inspiro India Magazine ?

– This is a great effort. Art is appreciated in India but only in small pockets and it is great to be part of a portal which connects artists and the rest of the world together. I wish the team great luck in this endeavour. Let there be Art!