Tag Archives: art


Inspiro India Official

Best of January’18 | #inspiroindia


We’d like you to know that Inspiro India is receiving immense love and support from you ‘Creative Heads’ out there.

In the wake of the phenomenal usage of the ‘Inspiro India’ hashtag, we have a created a new section, ‘Best Pictures of the Month’.

Here are the Best Pictures from the month of January!

(The pictures are not in any supposed order. To get featured in the next month, use hashtag #inspiroindia)

~ Follow us on Instagram @inspiroindia and use hashtag #inspiroindia or write to us at info@inspiroindia.com ~


©Mihir Thakkar



©Joshi Daniel


©Harshit Doshi
©Namrata Vedi



©Piyush Tanpure



©Sunny Gala



©Anshul Mehta
©Manpreet Kaur






©Sachin Chauhan


©Anunay Sood
©Mayuresh M. Warang



©Somia Mallick
©Shardul Umesh Kadam


©Rupesh Dev



©Sakshi Parikh



©Arfan Abdulazeez



©Shagun Chawla



©Manish Deo



©Swapnanil Roy


Check out our previous series of inspiring images here – iidailyinspiration#149

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Art | Blog

16 February 2018

Creative Head of the Week: Nidhi

Nidhi had a penchant for drawing like any other kid. She had a fascination for colours and loved every shade on the palette. Her initial sketches included cartoon characters, ‘Tom and Jerry’ is her favourite ones. She once confessed to her dad the desire to meet ‘Tom and Jerry’, and as naïve and innocent a kid is, got disappointed with the inability to meet animated cartoons. This, in turn, ignited the zeal of creating cartoons herself.


Her father told her that in order to make her dream come true, she would have to work hard on her sketches, but Nidhi took his words to heart. Her initial tutorials were mentored by YouTube videos on a Nokia Slider cellphone. Small screen display made the task a bit tedious for her but she did not deter from her path and kept herself engrossed in ardent learning in times when there was no internet connection or computer available at her expense and all she had was a small screen display of her cellphone on which she accessed internet through data packs.
She got introduced to animation and drawing workshop for the first time through a newspaper advertisement when she was in grade 9. She shared her interest with her dad and he gave a heartful consent to her wishes. And this is how she started her journey to pursue art as a career.





Her primary drawings used the conventional drawing tools of pencil and paper and the techniques involved in creating illustrations. With the introduction of the digital medium, the task has become a bit convenient and the effects produced through traditional techniques can be easily achieved. She has completed 8 years of her journey drawing which includes 2 years of digital art as well.


The young artist has faced many challenges during her journey and she still does face hurdles. A lot of issues on the financial and personal front made her feel difficult about the decision of choosing art as a career but she was too positive to deter from the path. She has been abominated by a lot of people around for not choosing any mainstream career option but her father has always been a strong pillar during her tough times. If anyone came up to her father for words of advice, he used to reply, “I want her to be happy in what she is doing and I have full faith in her potential.”

Nidhi tried to make her way through several colleges to pursue the course in animation but the charges were costly and there was no assurance of a stable job opportunity. Apart from that, the lessons imparted did not provide enough knowledge and prudence prevailed. She couldn’t afford to waste her time and money and hence left the college after four months, but her dad’s demise during the same period shook her roots. Without a proper graduation degree, it was difficult to bear the burden of finances of the household.  The first 6 months were very grinding without any income but then she got certain freelancing projects. After submitting her resume online at several places, she got a call from a studio for the requirement of an artist. Currently, she is employed at a studio named Crazons. She loves the working environment of the place and the people she works with are extremely supportive. They make animated videos, and she enjoys working for it along with learning important lessons. She finally managed to buy a digital Wacom tablet, which she has been for two years now, and she has not left dreaming of reaching beyond heights.


For Nidhi, visual art is an extremely beautiful and powerful way of expressing thoughts and imagination on the canvas which you cannot put down in words at times, and she feels blessed to possess this talent. She thinks she doesn’t have a definitive style of her own as of now because there’s a lot more for her to explore but she believes that her art is raw and anyone can relate to raw emotions.


All the art she knows is the result of her passion, hard work and observing artistic people on social media and trying to imbibe those lessons. She thinks she is a self-taught artist. Her strongest skill, according to her, is to be able to draw female figures and splendid backgrounds. She feels she needs more expertise at drawing male figures though!

She loves eating junk food and singing (wants to learn singing as well) other than art.

She also likes to seldom cook.

The tools she uses for her drawings are Laptop, Wacom pen tablet and Photoshop. For traditional sketches, she usually uses watercolour inks, regular inks and markers. She prepares a rough sketch first and does the line art twice over it to refine and finally adds basic colours, highlights and shadows and the final detailing process which takes about 4 to 5 hours for the sketch to be done.


Nidhi says, even though she is not very professional in work, she did not stop creating art. There is no right time or right materials. Once she started drawing, she didn’t stop and advises the same, crucial for one’s achieving goals.

Words by Laveena Behl
Artwork by ©Nidhi

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Blog | Interviews | Photography

15 February 2018

Interview with Photographer: Siddhartha Joshi

Meet Siddhartha, an Industrial Designer by profession and a full-time traveller and photographer. 

Siddhartha Joshi


Inspiro India: Tell us something about yourself and how did you start creating?

Siddhartha Joshi: I am an Industrial Designer, travel blogger and a photographer, pretty much in that order. I guess I started my creative journey from the time I started my master’s education in Design from NID, and have since expanded beyond products to many other things like writing, visual storytelling and so on.


Inspiro India: Can you talk a bit about your travel shots and way of working?

SJ: I rarely plan for my shots, and depend on a lot of spontaneity. This doesn’t always work, but I enjoy working this way more. I rarely, if ever, take stress while taking pictures, and if they don’t work out as I would like them to, I focus on other aspects of travel – interviewing people, explore hidden experiences and so on.


Tram in Helsinki


Inspiro India: Did you face any problem while pursuing this field? How satisfied do you feel after working in this field?

SJ: The only problem I face is the lack of time. There is way more work available than what I can possibly take up, especially with a full-time design job.


Inspiro India: Which genre of photography interests you the most and why? What are your top three favourite photography locations?

SJ: I like street photography the most, followed closely by travel photography. I love clicking people in their natural states, so both these styles work well for me.


Favourite locations – streets of any town or city, Kashmir and street processions.


Inspiro India: If not this, what would have Siddhartha been doing?

SJ: I guess I would pursue some other creative field, maybe write full time.



Inspiro India: How would you describe your photography style?

SJ: I think it’s very mixed, I try and expand my area of interest all the time. Especially when you travel, there is always a need to learn something new and I really like that.


Inspiro India: What did you want to become as a child? What dream is still on your bucket list?

SJ: I wanted to be a scientist as a kid, a physicist to be precise. It’s no longer my dream but I would like to take up research projects in future.


Inspiro India: Out of all the photographs you have ever taken, which is your favourite and why?

SJ: I am yet to take a picture that I can call my all time favourite. I think I am still a few years away from it.



Inspiro India: Describe your post-processing workflow? What camera do you shoot with? Your favourite lenses or any other equipment, if any?

SJ: I shoot with Canon 6D, and sometimes a GoPro Hero 4, and my favourite lens is a 50mm prime lens. I also use a 24-105mm lens, especially for travel photography.


As for post-processing, I don’t really have a standard workflow. I don’t use Lightroom (yet) and edit with Camera Raw and a bit on photoshop.

Lapland in Finland

Bikaner streets


A migrant in Dubai

Dera market Dubai

Burj Khalifa

Porvoo village in Finland

Photos by ©Siddhartha Joshi


Inspiro India: What advice would the photographer inside you like to pass on to our readers?

SJ: Click, observe, click, observe and repeat. Also, identify what is it that you like in the pictures that you like.


Follow Siddhartha: Instagram | Website


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Blog | Photography

9 February 2018

Creative Head of the Week: Ishani Das

There are people who always witness something and realise that it could have been a stunning frame. And that’s how Ishani always felt – like her eyes were attached to secretive camera somewhere. She is a fashion communication student. First, she is an artist and always will be. She started the art of photography 8 years back with her little Sony digital point and shoot. She was very timid to take her camera out in the public and just start shooting. So, she resorted to closed rooms and the only subject she knew well there was herself.


A process just happens in her mind so fast. First a very random inspiration hits. Next thing for her is to visualise herself cutting that light, or how should the shadows overlay her etc. After that is just a matter of setting up her camera on self-timer. With time she has understood, at which angle her body will look good and where should light fall exactly so the photograph comes out great.



Ishani Das


Ishani is not very vocal with words, her portraits are her only source of artistic expression. It’s just the determination in her that drives her.

She is her own inspiration. She looks up to many photographers but she has never tried to recreate anyone’s work or even take inspiration from them. She doesn’t edit much. It’s just a little VSCO here and a little Pixlr there. All phone apps though.

 She uses a Canon 600D .Apart from that, she has a 18-55mm lens. Also, she uses Photoshop and Lightroom but only rarely. Mostly she uses VSCO, Pixlr and Filterloop.

Her favourite subject is’ people’. Even when she meets people, she is more attentive to their eyes, hands, how they tuck a strand behind their ear or adjust their spectacles or laugh. She just admires how beautiful a person can be. She is not fussy about locations. She loves plain white walls. What she is fussy about is the light. Photography is all about the light.




The master-advice,

DON’T STOP. If you are trying something, it’s unique. Also, pay attention to details. It’s the details of a photograph, a painting, or anything that can really make it even more beautiful. ”

Words by Harpreet


Mogra Series

Mogra Series

Mogra Series

Images by ©Ishani Das

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Art | Blog | Interviews

8 February 2018

Interview with Artist: Mira Malhotra

Meet Mira, a graphic designer/visual artist based in Mumbai who is the founder of Studio Kohl, a boutique design house.

Mira Malhotra


Inspiro India:  How did you get started? What first got you into Graphic Design Illustrations? Tell us a bit about yourself.

Mira Malhotra: I was raised in Saudi Arabia for the first ten years of my life and left the country for India shortly after the Gulf War. This had an effect on the way I saw my own country and shaped my work. I grew up with a few sources of entertainment in an otherwise dreary freedom-less country, that of shopping malls, supermarkets and heavily censored American TV consisting mainly of sitcoms. Women like my mother were not able to go out of the house alone, and I was conscious of my female status as I saw the disparity. When I came to India, everything felt new. I had been to India once every year on vacation but living here was a totally different experience. It was a hard adjustment to make but eventually, I got used to it. I always drew as a child and was trained under a Filipino watercolourist in Riyadh, KSA (Kingdom of Saudi Arabia). I painted mostly animals which I continued independently once in India. My older cousin, an art director in Trikaya grey told me about a career in the arts and in the 7th grade I made up my mind to make it a career.


Inspiro India: How would you best describe your style of Visual Art? And the challenges you face as an artist??

MM: I am primarily interested in representing women’s experiences, at least for now. I otherwise like to create work that is conceptual, immediately gratifying which uses visceral line work, feels big and bold, and that is bright and colourful. I am inspired by odd products in the bazaar and Indian domestic life as I grew up in a more westernised home. I had a rocky time with my education. I wanted to go to JJs, tried many times and didn’t make it. I went to Sophia’s for a year and while I found the teaching good, felt there was no exposure and I experienced suffocation. I eventually went to Rachana’s and there too I faced issues. It was only when I went to NID that I really felt like I was seeing an end in mind or more pathways to take. Everything else made me feel stifled and stagnant in one way or the other. I faced great setbacks by being in the wrong school or wrong workplace as well. I enjoyed my first job in editorial but there was only so much I could climb. My second job in advertising made me really question where my work was going. I found picking work and clients more satisfying and working independently fixed a lot of issues because I could steer my work in the direction I liked, but it’s only possible in today’s market and earlier it was not as feasible.



Inspiro India: What are the tools you couldn’t live without? Can you please explain about your work process?

MM:  A computer. Even though so much of my work is print, I love digital means of creation. There is always an undo button! A Wacom, a large table and a few mechanical pencils are always around. I still love doing analogue work but it doesn’t work with clients 90% of the time. Recently I’ve started working with brush pens, pencils, and solid markers more. My work process with a client is always the conversation, research, conversational research, brainstorming, making connections, conceptualisation, creation and convincing. With my self-initiated work, I don’t sketch for fun though I wish I could. I wait till I have an idea in my head to flesh out and then go ahead. Art is not for art’s sake for me. There’s too little time!


Inspiro India: Is studying design in college worth the cost or do you recommend an alternative?

MM: It really depends on what you want to do. I think applied arts courses are very limiting. But design schools are expensive, though they offer great exposure. If you are able, vacation courses or summer courses help. Residencies help. But if you learn on your own remember you have to have a lot of drive, and you shouldn’t get easily discouraged. It requires a fair amount of passion and dedication. Find a way to create bread and butter work for yourself so pursuing what you really like won’t make you broke. If you enjoy bread and butter work and that’s your goal then you will find it easier.


Inspiro India: Who/What has been the biggest influence on your way of thinking?

MM: My parents and family. Not anyone special as such. But I have influences from musicians in terms of the way they approach their work and subject matter: The Beastie Boys, Kathleen Hanna, Grimes.


Inspiro India: What did you want to become as a child?

MM: An astronaut, a teacher or an artist. Ended up being the artist.


Inspiro India: Introduce us to your project ‘Unfolding The Saree’ and the story behind it?

MM: Unfolding the Saree was the culmination of recent incidents and long-term interests as well which resulted in the making of this zine. First was my inspiration from Riot Grrrl and DIY culture. How do I make an Indian version of what I admire about RiotGrrrl but have it well received here and resonate with my cultural experience? I then asked myself, how can I build something that’s so engaging that the material is not trumped by its content or treatment? Designer’s objects are produced in limited quantity, and a lot of craft goes into it, so they are often priced highly. I wanted to avoid that by using cheaper, local material unlike the fancy international papers graphic designers would usually use. The DIY background and my knowledge of printing and local applications of it helped me make a budget-friendly product. Then comes my ongoing interest in items of ‘novelty’, toys found in bazaars, Indian storytelling devices from folk culture, the interactivity of these that make for a very engaging experience, and a didactic one (when paired with a facilitator). When I was at NID, I was exposed to these things by my professors and Mrs Lakshmi Murthy, and this taught me the hardly-recognised value of storytelling devices that stem from folk India, traces of which can be found in low-budget bazaars of today or on my travels through India (I visit the bazaars of every place I travel to for new ideas and spend small fortunes on such objects). I wanted something so engaging, fun, and innovative, you wouldn’t bear to not be able to pick it up, and I wanted this inherently Indian approach to design preserved. I also wanted to make a zine on women and sexuality in some shape or form. Recently I began draping a saree and wearing one for myself and became hypnotised by its variety and the way it’s perceived (is it sexy? is it modest? does it cover up? or does it reveal?), and also its extremely versatile format. In an age where we are actively questioning burkinis and bikinis, and what these garments mean to us, it was exciting to look at the saree this way. Eventually, the format of the saree gave rise to the format of the zine. The content inside talks about several practices, the ghoonghat, the item number, the wet saree, the cover-all saree, nuns wearing sarees, feminist wearing sarees, all question fixed notions on the sarees as a dress that can be confined to eternal raunchiness or feminine dignity. The saree is too shape-shifting to be defined as either. This revealing or unrevealing got translated eventually into the words ‘folding’ or ‘unfolding’. Lastly, I recently joined a collective known as Kadak, which debuted at the East London Comic Arts Festival (ELCAF) this year and I needed to make products for that. What better than to introduce a foreign audience to my own idea of Indian design?


Inspiro India: What are you passionate about besides your work?

MM: Music! I devour around 5 hours of music everyday minimum when I’m at work. I love reading about feminist philosophy as well. I also like gardening.


Images by ©Mira Malhotra


Inspiro India: What advice would you as an artist give to other creative heads out there? And Some creative tips you’d like to share?

MM: Trust in yourself, be analytical and observant, find your voice, stop asking for feedback, if you have a doubt- google it! Be brutally honest with yourself.


Follow Mira: Instagram | Website


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Art | Blog

2 February 2018

Creative Head of the Week: Satbir Singh Waraich

Art is just like breathing is for every living being. The appetite to create can never stop just like a basic necessity for survival is his ‘approach to art’. Satbir Singh Waraich is a self-taught Artist, a computer graduate turned graphic designer and now identifies himself as a painter by profession. His impeccable ability to understand and balance his psyche and make peace with the fact that every stroke is either ‘pre-visualised’ or ‘an error’ is completely justifiable. He also points to the challenging part of making that error from anything to something (silently with strokes and flow).


Satbir takes an intricate understanding to his illustrations by painting and sketching. Visual art for him is anything the random human can capture (in the wake of life and reality) for seconds, minutes or a long timeless pause in front of anything and anywhere.



Satbir Singh Waraich


Satbir has been best friends with art and illustrations since childhood being a single child in the family. Well aware of his gifted hands even though it has been only 6 years for him professionally, ‘it was a boy returning home not a hobby’, he says. I believe that Art should tell you something (but not everything).


‘I believe that Art should tell you something but not everything!’

His work stresses on ‘people’ and ‘eye contact’ which is the primary stage to be drawn to by us humans.

The artist indicates, while that ‘observant pause’ is extremely crucial and describes visual artistry, it is the layer of emotion which a human experiences and is more likely carry to his or her eternity.

Moreover, if the viewer is eager to open one’s bounded psyche, they’ll be able to identify the stories, guiding signs, hidden paths and written words. Look even closer you’ll find that Satbir paints in the form of small tiny drawings inside the faces and figures.


Astute observation skill set when he meets humans is one of his strongest skills, he says ‘humans are very much okay to shed a layer of emotion which artists seek and leech upon to use in his or her art’.


Satbir’s typical work process is nothing fancy or similar to a tailored process psyche of an art student. He has a ‘no tool process’ whereby he uses anything and everything from oil paints to water colours or may even end up tearing a sketch and then end up using it on a canvas.

Every day guides this painter differently, he likes riding bikes late at night around farms, collects books regardless of old or new and is currently trying his hands on learning piano. A tea and music lover, he refuses to give advice to his fellow humans. He says there is no point of advising someone when one doesn’t believe and recognise oneself from the inside, it’s a mere wastage of time when the brain is already full and knows what to do!

Words by Harpreet


Tangled Mirror

Merged Emotions


Pendent Protecters

Images by ©Satbir Singh Waraich

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Art | Blog | Photography

26 January 2018

Creative Head of the Week: Chandni Dua

Chandni Dua started out by enrolling in an art college for animation but later discovered her love for photography through a couple of teachers who were photographers themselves.

She was drawn to the idea of requiring no books for the task, editing her personal pictures and ultimately trying to learn how to click a better photograph in the first try!


Chandni initially used to have fun and was obsessed with her camera, carrying out both paid and unpaid jobs and never really giving it a serious thought!

Once out of college, Dua started taking photography earnestly by taking her own pictures, communicating through self-portraits!


With composition and technicalities in mind, Dua feels it’s the emotions that matter the most. She makes sure her snaps breathe the emotion even though they’re badly composed or even at the worst location or scenario.



Chandni Dua


A huge attention is given to the lighting, angles and highlighting the object she wants to show. Natural light loves Chandni’s attention and she refuses not to experiment with it!


Currently inspired by Nirrimi and since many years, Chandni does 3-4 edits according to how the mood for the picture was initially planned!


Dua remembers to be once addicted to Adobe Photoshop. She started with editing before photography, her advancing editing skills got her to love and get into photography.


Her recent venture into wedding photography has seen about 90% use of Adobe Lightroom and the rest in Adobe Photoshop. She also captures photographs from her phone and makes the use of VSCO app regularly.


Photographing and executing her ideas on her sister and friends, basically everyone when she’s travelling is what she loves doing the most. Endless hours of shooting in the hills or places with huge trees and vastness are what makes her happy!

Other than that, a person with an interesting face and bold expressions never fails to impress Chandni Dua.


A typical day in the photographer’s life consists of researching and executing ideas every week by collaborating with various artists in the city! If not that, her evenings are spent by exploring new places with food!


In her opinion, anyone who is into photography shall keep experimenting on something they took inspiration from.

She never replicates anyone and advises the same!

She feels it’ll never satisfy the inner artist which also happens to be her long kept secret!

Words by Harpreet


Images by ©Chandni Dua

Follow Chandni: Instagram | Website


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Art | Blog | Interviews

25 January 2018

Interview with Artist: Niteesh Yadav

Meet Niteesh, an engineering drop out who now lives and breathes Typography.

Niteesh Yadav


Inspiro India:  How did you get started? What first got you into Typography? Tell us a bit about yourself.

Niteesh Yadav: My journey has been a bit different from the usual ones. I am an engineering dropout (second year) who started working as a self-taught designer initially and then after working for a while I decided to join college. From then I have been moving along with the life of a student and simultaneously working as a Design Consultant, looking after a Design division of a startup as well as working on freelance projects. The best part of this journey is the people I have worked with right from the beginning.

The love for illustrating letters and quotes got me into studying and exploring more about type. I used to draw a lot of letters and after a certain time, I started to realize that though they look good something is still missing and to fill that gap of making it better, I started to dig in deeper to learn about the technical aspects of Typography. Things that make a letter look more pleasing to eyes, this was the beginning and that learning is still going on.


Inspiro India: How would you best describe your style of illustration? Any challenges you faced as an artist Designer?

NY: From the past two years, my work has been typing oriented but I am in my exploration phase of trying new styles and mediums to express my ideas. Started as an Interface designer then explored my way into print and packaging and now working with type and illustrations. Soon you might find me experimenting with some unconventional and bizarre mediums as well.

Working as a Graphic Designer, the first and foremost challenge is to get in sync with the client and vice versa. Resonating at the same frequency is very important otherwise the whole project might go back and forth. Another thing which we face is variable project requests, sometimes a lot of project requests bombard at the same time and we have to prioritize which ones to accept (choosing the right ones is a task in itself.) Also, you find yourself standing in the Thar Desert at times waiting for that one project but treat it as a golden period of refreshment, start your own personal project or just take a break to rejuvenate your creative juices.


Elephant Type


Inspiro India: What are the tools you can’t live without? Can you please explain your work process?

NY: All I need is a pencil and a paper! I am fond of getting my hands dirty as it is way faster. You can just do it on the run while eating on a tissue. We never know when the idea might pop in. Once the ideas are sorted then only I hit the screen to design it digitally. When you make things physically, there is a strong bond that is established. How often that smile comes on your face when you go through your old drawing books and now compare that same thing with an old folder on your desktop.

In my projects, I follow a structure which starts from receiving a brief from the client or to make one based on the client’s request (This happens a lot while working with Indian clients). Next step is to do an extensive research to put the pieces together and get a clear picture of the project and an approach to it. Then its time to pick up the pencil, our WMC (weapon of mass creation), sketching several ideas then finalizing which ones to share with the client. I restrict the number of concepts since as Designers we are supposed to use our expertise to help people and not to confuse them. One final approach is decided, I move on to refinement and iteration phase (limited iteration mentioned in the agreement). This phase includes feasibility testing of ideas and many designers ignore this but I have learned that it is a crucial one as impossible is possible on screen. People use mockups blindly on the web to just showcase to the clients and without even knowing their feasibility, the clients are usually awestruck at that time but face problems later while trying to execute them.

I recall a project, Identity design of a new line of a Fashion House for which I sat down in their workshop working with the people to test the feasibility of selected designs using different embroidery techniques. Finally, after working for several hours we figured out a way to make it work from design and execution perspective. If a design doesn’t serve its purpose then it is a waste.


Inspiro India: Is studying illustration in college worth the cost or do you recommend an alternative?

NY: Rather than just focusing on illustrations right from the beginning I would recommend, if you are enrolling in College then start with Design as a broad sphere then explore your interests and qualities to decide on your specialization. This will help you out in framing your goals. If you are sure that you want to get into illustration then start practising and try to expose yourself to as many styles as possible as well as other people’s work which is going to help you out in expanding your knowledge about the immense possibilities. As illustrations are not just about the pencil, paper, watercolours etc., it’s your medium of expression and how you take it forward creates your style. Art or Design college is a place where you are exposed to a lot of things, there are no set books or hard guidelines. It’s you who is supposed to absorb that information and explore further.  The only alternative I can think of is your dedication and handwork.


Inspiro India: What do you enjoy most about being an illustrator?

NY: I mostly refrain from using the word illustrator as very small part of my work is illustrations. The thing I like when I am illustrating is the amount of freedom I have to express the ideas which are sometimes very limited while working on regular design projects that have very rigid client briefs.


Inspiro India: What did you want to become during your childhood?

NY: I wanted to join the army but as I grew up I went on being more inclined towards creative stuff and now I am on my small little crusade of making useful things to fight bad designs and help people with my work.


Inspiro India: Can you explain to our readers a bit about your ‘Dream Big Project’ on an elephant?

NY: ‘Type on Elephant’ is one of my ‘close to heart piece’ as it was a whole new experience for me. I had spent a significant amount of time with the elephant observing their behaviour and the best way we can be around them so they don’t feel uneasy.  All that helped me a lot in working on it and there was not even a single moment when I felt scared.

It is part of India Through Type Series that aims to bring out some unique and interesting aspects of India through Typography based experiments. It also focusses on some important aspects such as dying crafts which are in dire need of being brought into the limelight. Simply talking about these and putting forward the same old stuff will not work as it has been tried several times in the past. So this is the reason I am working on creating a new experience for these things.


Inspiro India: What are you passionate about besides your work?

NY: I am really fond of travelling and exploring more about people,  culture and especially places which are close to nature. This is the reason I have been working remotely for the past couple of months and moving around.


Artwork by ©Niteesh Yadav


Inspiro India: What advice would you as an artist give to other creative heads out there? Some creative tips you’d like to share?

NY: Do what you love and give your 100% to it! There are times when you are working where you won’t get full freedom to create things of your choice. Develop a habit of working with guidelines.

To let your creative juices flow, work on some self- initiated projects as they are going to help you in creating things where you have full freedom and control over what you are doing but always have a purpose why you are doing it. It can be “just to make myself happy.” What it does is that you will never feel that you have wasted your time at any point in time.


Follow Niteesh: Instagram | Website


Check out his full feature in Oct’16 Edition of Inspiro India Magazine issue#32 – Download Free.



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Art | Blog

19 January 2018

Creative Head of the Week: Avantika Mathur

Avantika Mathur thinks she was born to dabble in art. Music and art have always been a part of her life since the age of two. With time, she became more conscious about it and her curiosity grew in art progressively through time.


Art imitates life. She flows with it like a bohemian. Stereotypes don’t bind her. Initially, she experimented with form and style trying to find a unique style of her own. With experience, she is growing both in confidence and inspiration to discover herself.
An artist’s challenge is to be able to portray their ideas. So now, she paints and explores her style in different mediums. Her art is a narrative of who she is.
A new age artist also faces challenges of how to reach out to a larger audience and understand art. Further, artists occasionally slip into ‘dry’ unproductive phases in creativity. This can be very frustrating. Overcoming challenges are what makes an artist’s life exciting.


Avantika Mathur


Art is a universal language. It’s refreshingly liberating to Avantika. It’s her world where she can be whoever she wants to be without any outer power controlling her. It is freedom. Her artworks are like her wings.


As a surrealist artist, she is prone to be highly imaginative, easily crossing into a realm beyond real-life imagery. She often explains to people that she lives an uncompromising world which is totally her own. Her paintings are where people can get lost into and try to find the narrative. Another distinctive feature of her art is a riot of colours. She says, “When life shines in full glory, why be subtle? ”


As she mentioned earlier, she was into art since childhood. Soon she grew out of crayons into scribbling on scrapbooks, onto canvas and walls – that must be around age six, she reminisces. A decision to take art as a profession came after high school when she was planning to start her study for college. She chose her passion and which gave her happiness. Earning out of something you are passionate about and you love is a dream! And she is living her dream everyday!


With a Bachelors degree in Fine Art (Painting) and Art History from the University of the Philippines, Manila, and her Masters in Creative Painting from SNDT, Mumbai, she is formally well versed with fine arts.
A very observant person, her paintings are not just portraits; they are an essay, a narrative, which tries to capture multiple aspects of the character she is painting. Look deeper and you will find that the face in each portrait or artwork will convey not just the features of the individual, but the ethnic identity, the temperament and the power behind those eyes.
Her ‘Emerge series’ is a tribute to women- their rise in the new world order irrespective of their background.


A Surrealist, her process is to dream-reflect-compose-sketch-paint-display. Her Imagination is her most favourite and often used tool. The fuel to her imagination is her life and her adventure. Moreover, her artworks are not about the final product but more about the process and the journey to reach there. Each artwork is a discovery. Art teaches her something new every day.


The golden words, “Everyone has an artist inside. It is you who has to find your pensive moments. Pick up the material and let go. Who other than you to best understand the voice of your subconscious. Depict it. Art is a channel. Use it to find yourself. You will realise how liberating it feels”


Artwork by ©Avantika Mathur

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Blog | Photography

12 January 2018

Creative Head of the Week: Gitesh Gupta

Gitesh Gupta, also known as ‘Luke CG’ is a professional photographer who hails from the scenic hills of Kullu. His journey started from his engineering days with the first photograph he clicked from his brother’s camera. His fascination gave birth to a zeal to view the world through the lens of a camera. The episode made him realise the power of perspective and imagination combined with a single click!


Gitesh Gupta


For Gitesh, the premise of any concept is human emotion, which ranges from the bliss of happiness to dejection of sadness. He feels that photography is a similar journey- it is always about telling a tale through a picture and different types of software are the tools that aid the process. His work is heavily influenced by cinema. He is fond of sci-fi action, and movies that exhibit drama with excellent cinematic experience. There is a lot to learn, he says, from the nuances of such sources- about lighting, camera angle etc. He finds in it interesting visuals and concepts in motion and a great source of learning. Thus trying to implement all of it in his work, in an innovative way.

He is largely inspired by events happening in his surroundings- bustling streets, clouds-anything and everything so to say. He also draws inspiration from another artist’s work. All of it encourages him to create a definitive work of his own. Music is another important feature that adds a cherry on the top of all his hard work.


When asked about his post-processing, perfection at first glance, he mentions that it all depends on how one sees things. He thinks of it as a puzzle, which has to be arranged in a  perfect manner, conjoining the right pieces, which don’t make him feel scared about the process, unlike many other people.

He compares post processing to cooking- some like it spicy, some like it sweet, but an excess of flavours might upset one’s tongue. In the same way, one has to be efficient while making use of different kinds of software available due to improved technology, he adds. The Creative Head puts to use his Canon 5D Mark IV and Canon 6D cameras along with Canon 70-200mm f2.8, Canon 85mm 1.8, Canon 16-35mm f4 and Sigma Art 24-35mm f2 when it comes to picking the right lenses. Phottix Indra500 and 120cm Octabox for the lighting. 

He primarily uses Adobe Photoshop CC for editing along with Wacom Tablet on his iMac 27. He feels Pen Tablet makes life much easier by aiding a precise selection as well as blending different elements together. He also recommends people to try one for retouching.


A typical day in his life is indeed scenic with a life in the mountains. Gupta prefers working late at night for editing as it is more peaceful and can focus better on ideas. His daytime is spent in regular official work-queries, e-mails, phone calls etc.

His favourite subject to click is a ‘yes’ to the camera by the subject. The attraction lies in the mysterious ways the eyes try to speak. Gitesh does not have a favourite location but he desires to explore the picturesque landscapes of Iceland and New Zealand.


The photography mantra he shares with our readers is to “Learn+Shoot+Practice+Repeat”. The first shot, Gitesh Gupta says, is never perfect-one, one has to rigorously practice for it.

For better results, he mentions, one needs to click a good-quality picture with the camera, and the post-processing edits can add finish to it. 
His message for people struggling in the field of photography is to never search hopelessly for the answers but figure out the right questions which will finally lead you to the solution.

Words by Laveena Behl


Images by ©Gitesh Gupta

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Art | Blog | Interviews

11 January 2018

Interview with Artist: Shweta Malhotra

Meet Shweta, a visual artist/photographer based in Delhi who is also passionate about baking.

Shweta Malhotra


Inspiro India:  How did you get started? What first got you into Painting? Tell us a bit about yourself.

Shweta Malhotra: I’ve always been interested in art. I first dabbled with paints as a little girl but my career as a professional artist began much later in my life. I painted for pleasure, to keep myself busy and to pass the time away. As a student, I was always attracted to art, and in high school, I won several painting competitions as well but never thought about making a career in art.

4 years ago I felt the desire of picking up my paintbrush again. I went and got a bunch of acrylic paints, brushes and started doing it, and it’s really been a therapeutic thing for me.


Inspiro India: How would you best describe your style of Visual Art? And the challenges you faced as an artist?

SM: I’m a self-taught painter, who loves to colour the abstract beauty on canvas and enliven its gleam in the viewers’ eyes. For me, art is like being on a roller coaster, ups and downs, highs and lows, twists and turns. My paintings splash the eternal meaning of all the highs and lows of one’s life into a depth of emotions. My painted canvases are colourful, I cherish old traditions, new ideas, style and knowledge.



Inspiro India: What are the tools you couldn’t live without? Can you please explain your work process of Paintings?

SM: I work with several tools and try to bring out something new in every new series. But the process is sometimes easy and at times cruel as well. Some pieces take either hours or months to complete. I never set a target for completing my work. One of my paintings in my last show took the longest. I always let my work rest for a day or two and come back to it. This gives me time to think about what I am going to do next in a completely different way.

When I start something new, I have a set direction usually few sketches but when I paint, I let my creativity and mind play on the canvas. That way my work stays varied and fresh. I do not stick with a style and replicate it over and over for a long time. When I start feeling comfortable, that is not a good sign so I change things up.


Inspiro India: Is studying Art in college worth the cost or do you recommend an alternative?

SM: It is a loaded question but honestly it depends mostly whether you choose the right college or not.

I have never attended any art college and always feel you don’t really get much out of it financially after paying a good amount of fees. There is an overwhelming chance you will not make money in art. You will find a lot of people who will truly appreciate your art but there are very few who will buy it.

From the skill point of you, I will recommend going to small art schools or institutes. Find a mentor instead of looking for an art college. Most of the skills you can gain yourself by intense self-work, but it’s helpful to have a mentor who can guide you out of the ruts you will fall into.


Inspiro India: Who/What has been the biggest influence on your way of thinking?

SM: I’m a person who is influenced by love the most. Fortunately, that is what I got in abundance from my family. They are my most valuable support system. My relationship with God and my family form the foundation of who I am. Everything else is built on top of this.


Inspiro India: What did you want to become as a child?

SM: To be honest with you, I never quite knew what exactly I wanted to become. One day I wanted to be a chef and another day a teacher. I always felt a bit insecure about the future and couldn’t imagine myself as someone.

Soon I realised, It doesn’t matter what you always wanted to be. It’s just a fantasy. What matters is this moment, now.


Inspiro India: How would you define beauty in less than 140 characters?

SM: True beauty comes from a person’s internal attributes, the unfading beauty of being a gentle and quiet soul. It’s a state of mind, it’s a quality. Nothing in this world is perfect and I always believe that the beauty lies in someone’s eye.  If you see something with a vision of beauty it will definitely become beautiful. Else try it in any form or way that thing or person will never turn beautiful. Beauty is infinite, everyone and everything is beautiful in its own way.


Inspiro India: What are you passionate about besides your work?

SM: Apart from painting, I’m passionate about baking. I love the process of researching new recipes and testing them. I can bake delicious cake and make some scrumptious chocolates and desserts.


Paintings by ©Shweta Malhotra


Inspiro India: What advice would you as an artist give to other creative heads out there? Some creative tips you’d like to share?

SM: The only advice I can give is, do not wait around for some miracle to happen. All the best ideas come out of the process, the hard work. Just follow your instinct and work on it, things will happen. Definitely!!!


Follow Shweta: Instagram | Website


Check out latest edition of Inspiro India magazine – here


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